Monday, January 30, 2017

Rizal Writing Noli Me Tangere 

Jose Rizal wrote the first sections of his novel Noli Me Tangere in 1884 in Madrid, Spain when he was still studying medicine. Rizal continued with this novel in Paris, France after he finished his medicine course. Jose Rizal finished the last sections of the novel in Berlin, Germany. Rizal drew his inspiration in writing Noli Me Tangere from a book entitled Uncle Tom’s Cabin which was authored by Harriet Beacher Stowe. Uncle Tom’s Cabin is about the life of  Negro slaves under the hands of powerful white Americans. The book centered on the sufferings, maltreatment and hardships experienced by the Negro slaves and compared the sad plight of the slaves with the unfair treatment experienced by his countrymen under the Spanish rule.

Noli Me Tangere is a Latin word which means “Touch Me Not” which was mentioned in the Bible in the book of St. John the Baptist. Rizal described the state of the country under the Spaniards as a disgrace which provided more hardships to the life of the Filipinos. The detailed story about the sufferings of his countrymen were meant to awaken the Filipinos to the truth that was adversely affecting the society and which had not been talked about by the people most probably due to fear with the ruling Spaniards.


Rizal's loyalty to Leonor Rivera


A photo of Rizal with Leonor Rivera and Consuelo Ortiga on both sides.


Consuelo Ortiga y Rey, the prettier of Don Pablo Ortiga’s daughters, fell in love with him. He dedicated to her A la Senorita C.O. y R., which became one of his best poems. The Ortiga's residence in Madrid was frequented by Rizal and his compatriots. He probably fell in love with her and Consuelo apparently asked him for romantic verses. He suddenly backed out before the relationship turned into a serious romance, because he wanted to remain loyal to Leonor Rivera and he did not want to destroy hid friendship with Eduardo de Lete who was madly in love with Consuelo.

Characters:
Michelle Rodico as Leonor Rivera
Joyce Olegario as Consuelo Ortiga
Cristopher Ramos as Jose Rizal

Childhood Years in Calamba


   One interesting anecdote about Rizal was the incident about his clay and wax images. One day when he was about six years old his sisters laughed at him for spending so much time making those images rather than participating in their games. He kept silent as they laughed with childish glee. But as they were departing, he told them: "All right laugh at me now! Someday when I die, people will make monuments and images of me!"


...and so we did. Rizal was right; at the age of six, he became prophetic. This scene made us realized that, as long as we believe in ourselves, nothing is impossible. 


Characters:
Sisters of Rizal: Armie Aranzado
                               Kleir Liezel Balilo
                               Izza Obmaces

Young Rizal: Joy Dizon

Photo taken by: Anna Marie David

Uploaded by: Anna Marie David

Saturday, January 28, 2017

Rizal Scholastic Triumphs at ADM


First Romance of Rizal

     After the graduation from Ateneo, Rizal who was just sixteen years old, experienced his first romance with Segunda Katigbak, a pretty fourteen-year old Batangueña from Lipa. In his own words: "She was rather short, with eyes that were eloquent and ardent at times and languid at others, rosy-cheeked, with an enchanting and provocative smile that revealed very beautiful teeth, and the air of a sylph; her entire self diffused a mysterious char."

    One Sunday Rizal visited his maternal grandmother who lived in Trozo. His grandmother's guests, who were mostly college students, knew of his skill in painting, so they urged him to draw Segunda's portrait. He complied reluctantly and made a pencil sketch of her. "From time to time", he reminisced later, "she looked at me, and I blushed."



Characters:
Elaine Martinez as Segunda Katigbak
Dalton Yabut as Jose Rizal

Uploaded by: Jorina Manansala


Rizal Childhood Years in Calamba


The Story of the Moth 

     Of the stories told by Doña Teodora to her favorite son, Jose, that of the young moth made the profoundest impression on him. 

      The tragic fate of the young moth, which “died a martyr to its illusions,” left a deep impress on Rizal’s mind. He justified such noble death, asserting that “to sacrifice one’s life for it,” meaning for an ideal, is “worthwhile.” And, like the young moth, he was fated to die as a martyr for a noble ideal. 



Characters:
Jorina Manansala as Doña Teodora 
Dalton Yabut as Little Jose Rizal

Uploaded by Jorina Manansala

Monday, January 16, 2017



 Amazing Facts You Probably Didn't Know About Jose Rizal



 Jose Rizal was a naughty boy in the famous "Moth and Lamp" Story

 

 




Jose Rizal: A Biographical Sketch

JOSE RIZAL, the national hero of the Philippines and pride of the Malayan race, was born on June 19, 1861, in the town of Calamba, Laguna. He was the seventh child in a family of 11 children (2 boys and 9 girls). Both his parents were educated and belonged to distinguished families.
His father, Francisco Mercado Rizal, an industrious farmer whom Rizal called "a model of fathers," came from Biñan, Laguna; while his mother, Teodora Alonzo y Quintos, a highly cultured and accomplished woman whom Rizal called "loving and prudent mother," was born in Meisic, Sta. Cruz, Manila. At the age of 3, he learned the alphabet from his mother; at 5, while learning to read and write, he already showed inclinations to be an artist. He astounded his family and relatives by his pencil drawings and sketches and by his moldings of clay. At the age 8, he wrote a Tagalog poem, "Sa Aking Mga Kabata," the theme of which revolves on the love of one’s language. In 1877, at the age of 16, he obtained his Bachelor of Arts degree with an average of "excellent" from the Ateneo Municipal de Manila. In the same year, he enrolled in Philosophy and Letters at the University of Santo Tomas, while at the same time took courses leading to the degree of surveyor and expert assessor at the Ateneo. He finished the latter course on March 21, 1877 and passed the Surveyor’s examination on May 21, 1878; but because of his age, 17, he was not granted license to practice the profession until December 30, 1881. In 1878, he enrolled in medicine at the University of Santo Tomas but had to stop in his studies when he felt that the Filipino students were being discriminated upon by their Dominican tutors. On May 3, 1882, he sailed for Spain where he continued his studies at the Universidad Central de Madrid. On June 21, 1884, at the age of 23, he was conferred the degree of Licentiate in Medicine and on June 19,1885, at the age of 24, he finished his course in Philosophy and Letters with a grade of "excellent."
Having traveled extensively in Europe, America and Asia, he mastered 22 languages. These include Arabic, Catalan, Chinese, English, French, German, Greek, Hebrew, Italian, Japanese, Latin, Malayan, Portuguese, Russian, Sanskrit, Spanish, Tagalog, and other native dialects. A versatile genius, he was an architect, artists, businessman, cartoonist, educator, economist, ethnologist, scientific farmer, historian, inventor, journalist, linguist, musician, mythologist, nationalist, naturalist, novelist, opthalmic surgeon, poet, propagandist, psychologist, scientist, sculptor, sociologist, and theologian.
He was an expert swordsman and a good shot. In the hope of securing political and social reforms for his country and at the same time educate his countrymen, Rizal, the greatest apostle of Filipino nationalism, published, while in Europe, several works with highly nationalistic and revolutionary tendencies. In March 1887, his daring book, NOLI ME TANGERE, a satirical novel exposing the arrogance and despotism of the Spanish clergy, was published in Berlin; in 1890 he reprinted in Paris, Morga’s SUCCESSOS DE LAS ISLAS FILIPINAS with his annotations to prove that the Filipinos had a civilization worthy to be proud of even long before the Spaniards set foot on Philippine soil; on September 18, 1891, EL FILIBUSTERISMO, his second novel and a sequel to the NOLI and more revolutionary and tragic than the latter, was printed in Ghent. Because of his fearless exposures of the injustices committed by the civil and clerical officials, Rizal provoked the animosity of those in power. This led himself, his relatives and countrymen into trouble with the Spanish officials of the country. As a consequence, he and those who had contacts with him, were shadowed; the authorities were not only finding faults but even fabricating charges to pin him down. Thus, he was imprisoned in Fort Santiago from July 6, 1892 to July 15, 1892 on a charge that anti-friar pamphlets were found in the luggage of his sister Lucia who arrive with him from Hong Kong. While a political exile in Dapitan, he engaged in agriculture, fishing and business; he maintained and operated a hospital; he conducted classes- taught his pupils the English and Spanish languages, the arts.
The sciences, vocational courses including agriculture, surveying, sculpturing, and painting, as well as the art of self defense; he did some researches and collected specimens; he entered into correspondence with renowned men of letters and sciences abroad; and with the help of his pupils, he constructed water dam and a relief map of Mindanao - both considered remarkable engineering feats. His sincerity and friendliness won for him the trust and confidence of even those assigned to guard him; his good manners and warm personality were found irresistible by women of all races with whom he had personal contacts; his intelligence and humility gained for him the respect and admiration of prominent men of other nations; while his undaunted courage and determination to uplift the welfare of his people were feared by his enemies.
When the Philippine Revolution started on August 26, 1896, his enemies lost no time in pressing him down. They were able to enlist witnesses that linked him with the revolt and these were never allowed to be confronted by him. Thus, from November 3, 1986, to the date of his execution, he was again committed to Fort Santiago. In his prison cell, he wrote an untitled poem, now known as "Ultimo Adios" which is considered a masterpiece and a living document expressing not only the hero’s great love of country but also that of all Filipinos. After a mock trial, he was convicted of rebellion, sedition and of forming illegal association. In the cold morning of December 30, 1896, Rizal, a man whose 35 years of life had been packed with varied activities which proved that the Filipino has capacity to equal if not excel even those who treat him as a slave, was shot at Bagumbayan Field.